教學大綱 Syllabus

科目名稱:科幻小說與奇幻文學

Course Name: Science Fiction and Fantasy Literature

修別:選

Type of Credit: Elective

3.0

學分數

Credit(s)

40

預收人數

Number of Students

課程資料Course Details

課程簡介Course Description

LITERATURE OF THE FANTASTIC: SCIENCE FICTION, FANTASY, AND HORROR. This course examines the genres of Literature of the Fantastic (Science Fiction, Fantasy, and Horror), the development of imaginative literature to the present, and current trends in genres of the fantastic. Students will consider Literature of the Fantastic (Science Fiction, Fantasy, and Horror) as genre as well as the various subgenres. Most of the readings will be provided in online archival format.

 

Note, this is a media based course. There will be literary readings as well as television and film materials related to the topic. Students who miss media presentations will have to make up the viewing material on their own time – the instructor is not responsible for providing copies of media missed from absences.

 

Some of the assignments for this course may be specifically aimed toward video production for the Sparkshow channel on YouTube.

 

This semester, we will include special sections on the interactive literature, interactive drama, as well as both tabletop and live action roleplaying games as related to Literature of the Fantastic..

 

This semester, we may include special sections on the use of virtual reality in theatrical form as well as a number of practical explorations in which students will use VR for practical approaches to theatre and intentional theatrical creation.


Students are encouraged to setup an AI English Study Buddy program.  You are strongly encouraged to practice your English skills with the AI Buddy outside of class.  While you may use AI to assist you, you must always cite sources and be certain to do major work on your own.  AI can make an excellent assistant but the work should still be your own.

Students should prepare an online drive (Google Drive is suggested) to upload to in order submit periodically class video assignments and other homework on it.

Obviously, whether we meet in person or online due to pandemic response or other factors will affect some of our course content.  Also, obviously, for in-person classes, students may be asked to scan a QR code (in addition to answering roll call as they are different purposes) and wear a mask while observing social distancing.  Unless specifically required for pandemic reasons, masks are optional (show common sense and think of others).  Be sure to join the class Discord, just in case.

This course is taught in English in an English environment only. Please note students from outside the English Department who have not taken the prerequisite courses must be able to understand English to an appropriate level for this course.

核心能力分析圖 Core Competence Analysis Chart

能力項目說明


    課程目標與學習成效Course Objectives & Learning Outcomes

    General Learning Outcomes

     

    Specific texts to be discussed will be decided later, dependent upon the research and reading interests of the students. The approach to the material will be chronological and/or topical. Please be aware that the course is very participatory in nature and that a number of videos, television programs, and films will be referenced in class. Periodically, student assignments will be created as content for the student media magazine Sparkshow. Material produced for Sparkshow will be permanently archived and available to the public.

     

    Frequently, students will be expected to read short story, drama, and novel excerpts which are then compared to film adaptations. Students will be asked to write a critical analysis of a piece of literature as compared to a film adaptation of the piece.

     

    This semester, this course may include a special section on Virtual Reality in film, narrative form, and media-based discourse construction.  We may also look at AI and Literature of the Fantastic.

     

    This course is taught in English in an English environment only. Please note students from outside the English Department who have not taken the prerequisite courses must be able to understand English to an appropriate level for this course.

     

     

     

    Assessment Tools & Indicators

     

    Evaluation Tools

     

     

     

    Measurements

    Learning Goals & Effectiveness

     

    Exams

    Experience Reports

    Special Projects

    Pre/Post Test

    Other

    Quiz

    Blueprint

    Other Metric

    Have the ability to plan learnin career development path.

    g and

     

     

     

     

     

    Be able to effectively use unive learning resources.

    rsity

     

     

     

     

     

     

    Have the ability to read in dept

    h.

     

     

     

     

    Be able to explore and become familiar with new types of digit learning models.

    al

     

     

     

     

     

     

     

    Develop an attitude and strateg independent and lifelong learni

    y of ng.

     

     

     

    Have teamwork and special production ability.

     

     

     

     

     

     

     

     

    Learning Outcomes and Core Ability Items

     

    To trace the historical and cultural transformations in Western literature in order to understand different cultural perspectives.

     

     

    Assessment Tools & Indicators

    Evaluation Tools

     

    Learning Goals & Effectiveness

     

    Exams

    Essays

    Papers

    Speeches

    Group Discussions

    Quizes

    Other Metric

    To read literary classics with an understanding of the culture and the writing characteristics of a specific time in England.

     

     

    To read literary classics with an understanding of the culture and the writing characteristics of a specific time in America.

     

     

    To read literary classics with an understanding of the culture and the writing characteristics of a specific time.

     

    To know and appreciate the writing styles of different periods of time and their presentation of literary ideas.

     

                       

     

     

    To acquire the knowledge and skills necessary for doing research on Western literature and culture in order to develop independent and critical judgment.

     

     

    Assessment Tools & Indicators

    Evaluation Tools

    Measurements

    Learning Goals & Effectiveness

     

    Exams

    Essays

    Papers

    Speeches

    Group Discussions

    Quizes

    Other Metric

    To understand the different ideas and the development of specific types of literature.

     

     

     

     

    To understand the themes in Western literature and the relationships between literature and, authors, themes, and culture.

     

     

     

     

     

    To understand the development of the relationship between current issues and literature.

     

     

     

     

    To understand the development of ideas in literature and to appreciate their cultural values.

     

     

     

                       

     

    每周課程進度與作業要求 Course Schedule & Requirements

    教學週次Course Week 彈性補充教學週次Flexible Supplemental Instruction Week 彈性補充教學類別Flexible Supplemental Instruction Type

    The specific course schedule is To Be Announced.  See http://www.briandavidphillips.net/nccu/ for updates as well as the class facebook pages and other resources.  See below for additional information on course requirements.

     

    To be announced, based in part upon student background and interest. Some specific authors we may discuss include (listed here to give an impression only): JK Rowling (Harry Potter), JRR Tolkien (Lord of the Rings), Jules Verne (Journey to the Center of the Earth, From the Earth to the Moon), Mary Shelley (Frankenstein), Sir Arthur Conan Doyle (Prof. Challenger stories, Land That Time Forgot), Edgar Rice Burroughs (John Carter of Mars, Buck Rogers), H.G. Wells (War of the Worlds, Time Machine), George Orwell (1984), Ray Bradbury (Martial Chronicles, The Veldt), Andre Norton (varies), Frank Herbert (Dune), Pierre Boule (Planet of the Apes), William Gibson (Johnny Mnemonic, Alien), Piers Anthony (varies), Issac Asimov (I Robot), Arthur C. Clarke (2001), Robert Heinlein (Starship Troopers), Masume Shirow (Ghost in the Shell), John Norman (Gor), Andrew Offut (Spaceways), Gene Rodenbury (Star Trek), George Lucas (Star Wars), Larry Niven (Fuzzy Sapiens), Douglas Adams (Hitchhiker’s Guide to the Galaxy), as well as television, comics, and film material of the genre. Much of the actual course content will be based upon participatory decision-making.

     

    Depending upon the number of students and their aptitude, we may incorporate interactive literature materials such as Dungeons & Dragons, Awfully Cheerful Engine, Ghostbusters, The Green Knight, and/or similar works.

     

    Specific schedule to be announced later, after we have ascertained number of students and student topic choices for presentations and papers.

     

    Preliminary Schedule (Subject to Change – THIS SCHEDULE WILL CHANGE).  THIS SCHEDULE IS A PRELIMINARY PLACEHOLDER, THE ACTUAL SCHEDULE WILL COME AFTER INTERACTION WITH STUDENTS TO DETERMINE LEVELS AND INTERESTS.  Note, we will be using the 16+2 system for the schedule.

     

     

     

    THURS

    LITFANTASTIC, 9-12, 102 Research

    WEEK

    TOPIC

    CONTENT & READING

    ACTIVITIES & HOMEWORK

    TIME/WEEK HRS

    IN CLASS

    OUT CLASS

    01

    Introduction

    Orientation to the Course

    Save The Cat Structure in Literature and Film

    Orientation to the Course

    Birth of Science Fiction

    The Time Machine by HG Wells

    Lecture/Media Discussion

    3

    2

    02

    The Uncanny and Horror as Comedy

    The Uncanny by Sigmund Freud

    The Troxler Effect

    Shaun of the Dead

    Lecture/Media Discussion

    3

    4.5

    03

     

    Experiential Reality and Artificial Intelligence

    Simulacron-3 by Daniel F Galouye

    The Thirteenth Floor

    Lecture/Media Discussion

    3

    4.5

    04

    Virtual Reality

    An introduction to Virtual Reality

    Introduction to Midterm Essay Assignment

    Lecture/Media Discussion

    Borrow VR Headsets

    3

    4.5

    05

    Cultural Impact and Virtual Reality

    Ready Player One by Ernest Cline
    Introduction to Final 3D/VR Project

    Lecture/Media Discussion

    3

    4.5

    06

    Cross-Cultural Realities

    Big Trouble In Little China

    Asian Influence and Big Trouble in Little China

    Lecture/Media Discussion

    3

    4.5

    07

    Shifting Time/Reality

    All You Need Is Kill by Hiroshi Sakurazaka

    Edge of Tomorrow

    Lecture/Media Discussion

    3

    4.5

    08

    Children's Fantasy/Horror

    Coraline by Neil Gaiman

     

     

    Lecture/Media Discussion

    3

    4.5

    09MidX

    Midterm Essay Presentations

    Student Midterm Essay Presentations and Round Table Discussions

    Introduction to Final Paper Assignment

    Lecture/Media Discussion

     

    3

    4.5

    10

    Conferences

     

     

     

    Conference Discussion

    3

    4.5

    11

    Perception of the Future

    Farenheit 451 by Ray Bradbury
     

    Conferences for Final Paper Discussions

    Topics may not be the same as any student topic presentation. You will be asked to write your paper with a specific publication/conference/journal in mind.

    Lecture/Media Discussion

     

    3

    4.5

    12

    Gender in Horror

    Interview with a Vampire by Anne Rice

     

     

    Lecture/Media Discussion

     

    3

    4.5

    13

    AI: Future Imagination

    I Robot by Isaac Asimov

     

     

    Lecture/Media Discussion

     

    3

    4.5

    14

    Christ Allegory and Fantasy Fiction

    Narnia: Voyage of the Dawn Treader by CS Lewis

     

     

    Lecture/Media Discussion

     

    3

    4.5

    15

    Final 3D/VR Presentation

    Presentation of Initial Projects for classmate feedback.

    Lecture/Media Discussion

    Return VR Headsets

    3

    4.5

    16 / FinX

    Final Exam

    Examination.

    Exam

    3

     

    17

    Final Paper Due

    Student Final Paper Initial Presentations and Round Table Discussions

    Lecture/Media Discussion

    Student Presentations

    NO CLASS

    4.5

    18

     

    Final 3D/VR Due

    Final versions of  3D/VR project

    Lecture/Media Discussion

    Student Presentations

    NO CLASS

    4.5

     

    Students will also be asked to perform critical evaluations of their own work and those of classmates.

     

    Additionally, students will be asked to participate in critical discussion activities.  Students will also present informative talks related to playwrights, actors, and/or directors of note.

     

    There may also be occasional pop-quizzes related to weekly readings, lectures, or other course content.

     

    Student are Expected to:

     

    For a number of the performance assignments, you may work with others.  It is very important that all members of a team do their share of the work on time and be prepared on performance or presentation day.

     

    Punctual attendance is expected.   I do take roll every day.   It is your responsibility to find out what went on and to make up the work, ask me for handouts, etc.  See general course attendance policies.

     

    Come to class with an open and willing mind.   The study of literature often involves contemplation of controversial material.   As students of literature, it is expected that you will not judge the material but rather attempt to discern the reason behind the expression of ideas.

     

    Be prepared to participate in class discussions and activities.   You must participate fully.   While I will not grade on sheer volume, regular and enthusiastic participation is required.   The quality of the participation is the most important factor.   Quality covers originality or insight demonstrated as well as clarity of communication.

     

    Read assigned readings by the due date - be prepared to discuss.

     

    Hand in assignments on time.   Assignments are due at the beginning of the class period on the due date.

     

    All students in the class are expected to foster respect, communicate with civility, cultivate the ideas of others, and encourage participation.

     

    Comprehend that all class activities are vital to the understanding of the literature and should be studied as thoroughly as lecture and reading material.

     

    Working Together: For some of the assignments, you may be asked to work with others.  It is very important that all members of a team do their share of the work on time and be prepared on due day.

     

    You MUST have access to a Google Drive for readings and to turn in class assignments.

     

     

    學生學習投入時間  Student Time Investment

     

    每週課堂教學時數:  3 小時 Class Hours per week

    每週預習/複習時數:  4.5 小時 Pre/Study per week (typical, actual time requirements vary)

     

     

    Assignments Per Week

     

    The specific course schedule is To Be Announced.  See the class facebook pages and other resources.  See below for additional information on course requirements.

     

    There may be occasional pop-quizzes related to weekly readings, lectures, or other course content.

    授課方式Teaching Approach

    30%

    講述 Lecture

    25%

    討論 Discussion

    25%

    小組活動 Group activity

    5%

    數位學習 E-learning

    15%

    其他: Others:

    評量工具與策略、評分標準成效Evaluation Criteria

    Faithful class attendance, Active and worthwhile participation, Oral Reports, Term Paper, projects, quizzes, and exams.  In addition to keeping up with extensive reading assignments, students will be asked to view several films which showcase topics being explored or that are adapted from material under discussion.  Group and individual projects are also commonly used to enhance the learning experience via creative interaction.

     

    1.         Regular attendance

    2.         Participation in classroom activities

    3.         Completion of assignments

    4.         Papers and Essays

    5.         Examinations

    6.         Review Questions & Pop Quizzes

     

    Oral and Written Examinations.  Participation.  Fluency.  Projects.  Note that students receive participation points for each course session, so absences lower final grades. If a student has three unexcused absences then that student will not be allowed to participate in final projects or take the final examination. Five absences (excused or unexcused) lead to automatic failure in the course. Except in unusual cases late assignments will not be accepted. Plagiarism may result in an automatic failure of the course (over-reliance on AI will count as plagiarism, particularly when not properly credited).

     

    Please note, some assignments are yes/no points in which students receive a set number of points for completing on time and zero points if not.  For essays, papers, and written assignments, the instructor does not edit or proofread submitted work.  This is not a writing class per se so make certain you have edited your work prior to handing in (with credit to any AI used and without over-reliance on AI for any part of the work).  You will receive a score for such work.  Assignments may or may not be returned so students are encouraged to keep track of their work themselves.

     

    Students should familiarize themselves with course policies, including those specifically related to Attendance, Participation, and Extra Credit opportunities (if any).

     

    • ATTENDANCE & PARTICIPATION POLICY:  Attendance and  Participation in this course are required.  Students who are tardy or absent will be penalized through lower possible participation points which leads to grade penalties.  Attendance is taken regularly and penalties are applied.  Typically, students receive on average fifteen to twenty participation points each class period (more or less depending upon activities of the week and actual participation – typically, a maximum of thirty participation points per session but only for very high-performing students; the typical is twenty).  Participation Grade Penalties are as followsTardy, -5 participation points; Second Hour Tardy, -10 participation points; Absence, no participation points possible (this is true even if the absence is excused).  Use of Cellphone, tablet, computer, or mobile device without specific permission or instruction from the instructor, no participation points possible, -10 to -15 participation points and possibility of device being confiscated for the period (yes, just like elementary school students).

     

    • Attendance Points and Penalties are as follows:  Absence means no participation points.  Three Unexcused Absences, not allowed to take final exam and zero points for final project; Five Absences, automatically fail course.  Note, students who missed the first few course sessions are still penalized for attendance and participation, even if they had not yet registered for the course.

     

    • Days in which students are scheduled to make presentations or in which interactive drama or similar activities are planned count as DOUBLE ATTENDANCE DAYS and all participation and attendance points or penalties are double.  Days in which the course is scheduled with another class will count as TRIPLE ATTENDANCE DAYS.

     

    • EXTRA CREDIT POLICY:  For the most current Extra Credit policies, please see the class Facebook group files section . . . Students may makeup for points lost due to missed classes or gain additional grade points by completing optional extra credit activities.  Extra credit is always optional.  Regardless of the amount possible for particular extra credit opportunities, students may not earn more than five grade points for extra credit in a semester.  Certain extra credit opportunities are not available to everyone and others are time sensitive.  It is to your advantage to sign up for extra credit earlier rather than later to ensure that you are eligible and that the schedule allows for the activity.  If you wish to pursue extra credit, do so early.  Extra Credit is typically NOT available within the last two weeks of the semester.

     

    • Missed Appointment, if you make an appointment to see Dr. Phillips in his office and are tardy, -1 grade point; if you do not show, -2 grade points; if you do not contact Dr. Phillips and let him know you are missing the appointment by email at least twenty-four hours prior to the appointment or by phone within twenty-four hours, an additional -1 grade point. Failure to contact the instructor within one day before or after is an additional -1 grade point.

     

    • Taking Notes:  University students are expected to have pen/pencil and paper with them during all class sessions.  You should take notes during class of information presented in lecture or discussion as well as of content of media presentations.  Please take notes with pen and paper and later transcribe to your digital note files (lit screens from mobile devices or notebook computers can be distracting to other students during class).

     

    At any time, students are free to ask to see their attendance record or grade scores.  Students receive points for completing assignments, participation, attendance, and other factors toward their final grade.  A raw percentage is then figured based upon the total points possible.  However, the final grade is set via a system that utilizes a curve grade formula after which any penalties from tardies or missed classes or bonuses from extra credit are applied so your final grave is not always the same as points earned within a particular time.

     

     

     

    人工智慧政策 Policy on Artificial Intelligence

     

    The English Department at National Chengchi University is embarking on an innovative journey to integrate Artificial Intelligence (AI) into our English Language, Literature, TESOL, and Linguistics studies. This integration aligns with our educational goals, aiming to enhance the depth and breadth of our academic offerings. AI technologies, such as natural language processing tools and machine learning algorithms, will provide unique opportunities for personalized language learning, advanced literary analysis, in-depth linguistic research, and other academic pursuits.

     

    Our vision is to leverage these AI tools to create a more dynamic, interactive, and effective learning environment. For example, AI can offer students tailored language exercises based on their proficiency levels or analyze complex literary texts, offering insights that might not be immediately apparent. In linguistics, AI can process large datasets, revealing patterns and trends that inform linguistic theories.

     

    As per English Department policy, individual course instructors are free to set their own policies regulating the use of generative AI tools in their courses, including allowing or disallowing some or all uses of such tools. Course instructors should set such policies in their course syllabi and clearly communicate such policies to students. Students who are unsure of policies regarding generative AI tools are encouraged to ask their instructors for clarification.  However, if such policies are not set for a course or particular assignment, the standard approach is as follows.

     

    To give sufficient space for instructors to explore uses of generative AI tools in their courses, and to set clear guidelines to students about what uses are and are not consistent with our department’s policy on academic integrity, the following policy statement is adopted regarding generative AI in the context of coursework.

     

    Absent a clear statement from a course instructor, use of or consultation with generative AI shall be treated analogously to assistance from another person. As you would not ask another person to do your assignments or take your tests for you, you should not ask AI to do your work in a similar manner. In particular, using generative AI tools to substantially complete an assignment or exam (e.g. by entering exam or assignment questions) is not permitted. Students should acknowledge the use of generative AI (other than incidental use) and default to disclosing such assistance when in doubt.

     

    In THIS COURSE, some assignments may explicitly call for the use of AI tools.  However, absent such explicit instruction, AI should either not be used or should be used as stated above.  In the final revision of their assignments, students should acknowledge any use of AI and state how the technology was used (MLA, APA, Chicago, and other style books now have guides for such acknowledgment).

     

    指定/參考書目Textbook & References

    Selections from practical texts and plays.   Photocopy or digital copies of plays and materials may be distributed.  Texts and reading will be provided in digital copies.

     

    Typically . . . Edward James and Farah Mendlesohn. CAMBRIDGE COMPANION TO SCIENCE FICTION.

     

    Others TO BE ANNOUNCED in the course of the semester. You do NOT need to buy the textbook as handouts will be decided on later and provided at the time.

     

    And/Or Other Texts as appropriate.

     

     List may be modified at any time.  Other texts to be assigned throughout the semester.

    已申請之圖書館指定參考書目 圖書館指定參考書查詢 |相關處理要點

    維護智慧財產權,務必使用正版書籍。 Respect Copyright.

    課程相關連結Course Related Links

    http://www.wakingdreams.org/nccu 
    https://www.facebook.com/groups/5902322165
    https://www.youtube.com/channel/UCIf4OIhDtbEEcZrXERpyC_A 
    https://discord.com/invite/A56TuEqrs5
    

    課程附件Course Attachments

    課程進行中,使用智慧型手機、平板等隨身設備 To Use Smart Devices During the Class

    需經教師同意始得使用 Approval

    列印