Type of Credit: Elective
Credit(s)
Number of Students
LITERATURE OF THE FANTASTIC: SCIENCE FICTION, FANTASY, AND HORROR. This course examines the genres of Literature of the Fantastic (Science Fiction, Fantasy, and Horror), the development of imaginative literature to the present, and current trends in genres of the fantastic. Students will consider Literature of the Fantastic (Science Fiction, Fantasy, and Horror) as genre as well as the various subgenres. Most of the readings will be provided in online archival format.
Note, this is a media based course. There will be literary readings as well as television and film materials related to the topic. Students who miss media presentations will have to make up the viewing material on their own time – the instructor is not responsible for providing copies of media missed from absences.
Some of the assignments for this course may be specifically aimed toward video production for the Sparkshow channel on YouTube.
This semester, we will include special sections on the interactive literature, interactive drama, as well as both tabletop and live action roleplaying games as related to Literature of the Fantastic..
This semester, we may include special sections on the use of virtual reality in theatrical form as well as a number of practical explorations in which students will use VR for practical approaches to theatre and intentional theatrical creation.
Students are encouraged to setup an AI English Study Buddy program. You are strongly encouraged to practice your English skills with the AI Buddy outside of class. While you may use AI to assist you, you must always cite sources and be certain to do major work on your own. AI can make an excellent assistant but the work should still be your own.
Students should prepare an online drive (Google Drive is suggested) to upload to in order submit periodically class video assignments and other homework on it.
Obviously, whether we meet in person or online due to pandemic response or other factors will affect some of our course content. Also, obviously, for in-person classes, students may be asked to scan a QR code (in addition to answering roll call as they are different purposes) and wear a mask while observing social distancing. Unless specifically required for pandemic reasons, masks are optional (show common sense and think of others). Be sure to join the class Discord, just in case.
This course is taught in English in an English environment only. Please note students from outside the English Department who have not taken the prerequisite courses must be able to understand English to an appropriate level for this course.
能力項目說明
General Learning Outcomes
Specific texts to be discussed will be decided later, dependent upon the research and reading interests of the students. The approach to the material will be chronological and/or topical. Please be aware that the course is very participatory in nature and that a number of videos, television programs, and films will be referenced in class. Periodically, student assignments will be created as content for the student media magazine Sparkshow. Material produced for Sparkshow will be permanently archived and available to the public.
Frequently, students will be expected to read short story, drama, and novel excerpts which are then compared to film adaptations. Students will be asked to write a critical analysis of a piece of literature as compared to a film adaptation of the piece.
This semester, this course may include a special section on Virtual Reality in film, narrative form, and media-based discourse construction. We may also look at AI and Literature of the Fantastic.
This course is taught in English in an English environment only. Please note students from outside the English Department who have not taken the prerequisite courses must be able to understand English to an appropriate level for this course.
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Have the ability to plan learnin career development path. |
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Be able to effectively use unive learning resources. |
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Have the ability to read in dept |
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Be able to explore and become familiar with new types of digit learning models. |
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Develop an attitude and strateg independent and lifelong learni |
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Have teamwork and special production ability. |
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Learning Outcomes and Core Ability Items
To trace the historical and cultural transformations in Western literature in order to understand different cultural perspectives.
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To read literary classics with an understanding of the culture and the writing characteristics of a specific time in England. |
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To read literary classics with an understanding of the culture and the writing characteristics of a specific time in America. |
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To read literary classics with an understanding of the culture and the writing characteristics of a specific time. |
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To know and appreciate the writing styles of different periods of time and their presentation of literary ideas. |
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To acquire the knowledge and skills necessary for doing research on Western literature and culture in order to develop independent and critical judgment.
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To understand the different ideas and the development of specific types of literature. |
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To understand the themes in Western literature and the relationships between literature and, authors, themes, and culture. |
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To understand the development of the relationship between current issues and literature. |
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To understand the development of ideas in literature and to appreciate their cultural values. |
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教學週次Course Week | 彈性補充教學週次Flexible Supplemental Instruction Week | 彈性補充教學類別Flexible Supplemental Instruction Type |
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The specific course schedule is To Be Announced. See http://www.briandavidphillips.net/nccu/ for updates as well as the class facebook pages and other resources. See below for additional information on course requirements.
To be announced, based in part upon student background and interest. Some specific authors we may discuss include (listed here to give an impression only): JK Rowling (Harry Potter), JRR Tolkien (Lord of the Rings), Jules Verne (Journey to the Center of the Earth, From the Earth to the Moon), Mary Shelley (Frankenstein), Sir Arthur Conan Doyle (Prof. Challenger stories, Land That Time Forgot), Edgar Rice Burroughs (John Carter of Mars, Buck Rogers), H.G. Wells (War of the Worlds, Time Machine), George Orwell (1984), Ray Bradbury (Martial Chronicles, The Veldt), Andre Norton (varies), Frank Herbert (Dune), Pierre Boule (Planet of the Apes), William Gibson (Johnny Mnemonic, Alien), Piers Anthony (varies), Issac Asimov (I Robot), Arthur C. Clarke (2001), Robert Heinlein (Starship Troopers), Masume Shirow (Ghost in the Shell), John Norman (Gor), Andrew Offut (Spaceways), Gene Rodenbury (Star Trek), George Lucas (Star Wars), Larry Niven (Fuzzy Sapiens), Douglas Adams (Hitchhiker’s Guide to the Galaxy), as well as television, comics, and film material of the genre. Much of the actual course content will be based upon participatory decision-making.
Depending upon the number of students and their aptitude, we may incorporate interactive literature materials such as Dungeons & Dragons, Awfully Cheerful Engine, Ghostbusters, The Green Knight, and/or similar works.
Specific schedule to be announced later, after we have ascertained number of students and student topic choices for presentations and papers.
Preliminary Schedule (Subject to Change – THIS SCHEDULE WILL CHANGE). THIS SCHEDULE IS A PRELIMINARY PLACEHOLDER, THE ACTUAL SCHEDULE WILL COME AFTER INTERACTION WITH STUDENTS TO DETERMINE LEVELS AND INTERESTS. Note, we will be using the 16+2 system for the schedule.
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THURS LITFANTASTIC, 9-12, 102 Research |
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WEEK |
TOPIC |
CONTENT & READING |
ACTIVITIES & HOMEWORK |
TIME/WEEK HRS |
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IN CLASS |
OUT CLASS |
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01 |
Introduction |
Orientation to the Course Save The Cat Structure in Literature and Film Orientation to the Course Birth of Science Fiction The Time Machine by HG Wells |
Lecture/Media Discussion |
3 |
2 |
02 |
The Uncanny and Horror as Comedy |
The Uncanny by Sigmund Freud The Troxler Effect Shaun of the Dead |
Lecture/Media Discussion |
3 |
4.5 |
03
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Experiential Reality and Artificial Intelligence |
Simulacron-3 by Daniel F Galouye The Thirteenth Floor |
Lecture/Media Discussion |
3 |
4.5 |
04 |
Virtual Reality |
An introduction to Virtual Reality Introduction to Midterm Essay Assignment |
Lecture/Media Discussion Borrow VR Headsets |
3 |
4.5 |
05 |
Cultural Impact and Virtual Reality |
Ready Player One by Ernest Cline |
Lecture/Media Discussion |
3 |
4.5 |
06 |
Cross-Cultural Realities |
Big Trouble In Little China Asian Influence and Big Trouble in Little China |
Lecture/Media Discussion |
3 |
4.5 |
07 |
Shifting Time/Reality |
All You Need Is Kill by Hiroshi Sakurazaka Edge of Tomorrow |
Lecture/Media Discussion |
3 |
4.5 |
08 |
Children's Fantasy/Horror |
Coraline by Neil Gaiman
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Lecture/Media Discussion |
3 |
4.5 |
09MidX |
Midterm Essay Presentations |
Student Midterm Essay Presentations and Round Table Discussions Introduction to Final Paper Assignment |
Lecture/Media Discussion
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3 |
4.5 |
10 |
Conferences |
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Conference Discussion |
3 |
4.5 |
11 |
Perception of the Future |
Farenheit 451 by Ray Bradbury Conferences for Final Paper Discussions Topics may not be the same as any student topic presentation. You will be asked to write your paper with a specific publication/conference/journal in mind. |
Lecture/Media Discussion
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3 |
4.5 |
12 |
Gender in Horror |
Interview with a Vampire by Anne Rice
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Lecture/Media Discussion
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3 |
4.5 |
13 |
AI: Future Imagination |
I Robot by Isaac Asimov
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Lecture/Media Discussion
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3 |
4.5 |
14 |
Christ Allegory and Fantasy Fiction |
Narnia: Voyage of the Dawn Treader by CS Lewis
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Lecture/Media Discussion
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3 |
4.5 |
15 |
Final 3D/VR Presentation |
Presentation of Initial Projects for classmate feedback. |
Lecture/Media Discussion Return VR Headsets |
3 |
4.5 |
16 / FinX |
Final Exam |
Examination. |
Exam |
3 |
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17 |
Final Paper Due |
Student Final Paper Initial Presentations and Round Table Discussions |
Lecture/Media Discussion Student Presentations |
NO CLASS |
4.5 |
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Final 3D/VR Due |
Final versions of 3D/VR project |
Lecture/Media Discussion Student Presentations |
NO CLASS |
4.5 |
Students will also be asked to perform critical evaluations of their own work and those of classmates.
Additionally, students will be asked to participate in critical discussion activities. Students will also present informative talks related to playwrights, actors, and/or directors of note.
There may also be occasional pop-quizzes related to weekly readings, lectures, or other course content.
Student are Expected to:
For a number of the performance assignments, you may work with others. It is very important that all members of a team do their share of the work on time and be prepared on performance or presentation day.
• Punctual attendance is expected. I do take roll every day. It is your responsibility to find out what went on and to make up the work, ask me for handouts, etc. See general course attendance policies.
• Come to class with an open and willing mind. The study of literature often involves contemplation of controversial material. As students of literature, it is expected that you will not judge the material but rather attempt to discern the reason behind the expression of ideas.
• Be prepared to participate in class discussions and activities. You must participate fully. While I will not grade on sheer volume, regular and enthusiastic participation is required. The quality of the participation is the most important factor. Quality covers originality or insight demonstrated as well as clarity of communication.
• Read assigned readings by the due date - be prepared to discuss.
• Hand in assignments on time. Assignments are due at the beginning of the class period on the due date.
• All students in the class are expected to foster respect, communicate with civility, cultivate the ideas of others, and encourage participation.
• Comprehend that all class activities are vital to the understanding of the literature and should be studied as thoroughly as lecture and reading material.
Working Together: For some of the assignments, you may be asked to work with others. It is very important that all members of a team do their share of the work on time and be prepared on due day.
You MUST have access to a Google Drive for readings and to turn in class assignments.
學生學習投入時間 Student Time Investment
每週課堂教學時數: 3 小時 Class Hours per week
每週預習/複習時數: 4.5 小時 Pre/Study per week (typical, actual time requirements vary)
Assignments Per Week
The specific course schedule is To Be Announced. See the class facebook pages and other resources. See below for additional information on course requirements.
There may be occasional pop-quizzes related to weekly readings, lectures, or other course content.
Faithful class attendance, Active and worthwhile participation, Oral Reports, Term Paper, projects, quizzes, and exams. In addition to keeping up with extensive reading assignments, students will be asked to view several films which showcase topics being explored or that are adapted from material under discussion. Group and individual projects are also commonly used to enhance the learning experience via creative interaction.
1. Regular attendance
2. Participation in classroom activities
3. Completion of assignments
4. Papers and Essays
5. Examinations
6. Review Questions & Pop Quizzes
Oral and Written Examinations. Participation. Fluency. Projects. Note that students receive participation points for each course session, so absences lower final grades. If a student has three unexcused absences then that student will not be allowed to participate in final projects or take the final examination. Five absences (excused or unexcused) lead to automatic failure in the course. Except in unusual cases late assignments will not be accepted. Plagiarism may result in an automatic failure of the course (over-reliance on AI will count as plagiarism, particularly when not properly credited).
Please note, some assignments are yes/no points in which students receive a set number of points for completing on time and zero points if not. For essays, papers, and written assignments, the instructor does not edit or proofread submitted work. This is not a writing class per se so make certain you have edited your work prior to handing in (with credit to any AI used and without over-reliance on AI for any part of the work). You will receive a score for such work. Assignments may or may not be returned so students are encouraged to keep track of their work themselves.
Students should familiarize themselves with course policies, including those specifically related to Attendance, Participation, and Extra Credit opportunities (if any).
At any time, students are free to ask to see their attendance record or grade scores. Students receive points for completing assignments, participation, attendance, and other factors toward their final grade. A raw percentage is then figured based upon the total points possible. However, the final grade is set via a system that utilizes a curve grade formula after which any penalties from tardies or missed classes or bonuses from extra credit are applied so your final grave is not always the same as points earned within a particular time.
人工智慧政策 Policy on Artificial Intelligence
The English Department at National Chengchi University is embarking on an innovative journey to integrate Artificial Intelligence (AI) into our English Language, Literature, TESOL, and Linguistics studies. This integration aligns with our educational goals, aiming to enhance the depth and breadth of our academic offerings. AI technologies, such as natural language processing tools and machine learning algorithms, will provide unique opportunities for personalized language learning, advanced literary analysis, in-depth linguistic research, and other academic pursuits.
Our vision is to leverage these AI tools to create a more dynamic, interactive, and effective learning environment. For example, AI can offer students tailored language exercises based on their proficiency levels or analyze complex literary texts, offering insights that might not be immediately apparent. In linguistics, AI can process large datasets, revealing patterns and trends that inform linguistic theories.
As per English Department policy, individual course instructors are free to set their own policies regulating the use of generative AI tools in their courses, including allowing or disallowing some or all uses of such tools. Course instructors should set such policies in their course syllabi and clearly communicate such policies to students. Students who are unsure of policies regarding generative AI tools are encouraged to ask their instructors for clarification. However, if such policies are not set for a course or particular assignment, the standard approach is as follows.
To give sufficient space for instructors to explore uses of generative AI tools in their courses, and to set clear guidelines to students about what uses are and are not consistent with our department’s policy on academic integrity, the following policy statement is adopted regarding generative AI in the context of coursework.
Absent a clear statement from a course instructor, use of or consultation with generative AI shall be treated analogously to assistance from another person. As you would not ask another person to do your assignments or take your tests for you, you should not ask AI to do your work in a similar manner. In particular, using generative AI tools to substantially complete an assignment or exam (e.g. by entering exam or assignment questions) is not permitted. Students should acknowledge the use of generative AI (other than incidental use) and default to disclosing such assistance when in doubt.
In THIS COURSE, some assignments may explicitly call for the use of AI tools. However, absent such explicit instruction, AI should either not be used or should be used as stated above. In the final revision of their assignments, students should acknowledge any use of AI and state how the technology was used (MLA, APA, Chicago, and other style books now have guides for such acknowledgment).
Selections from practical texts and plays. Photocopy or digital copies of plays and materials may be distributed. Texts and reading will be provided in digital copies.
Typically . . . Edward James and Farah Mendlesohn. CAMBRIDGE COMPANION TO SCIENCE FICTION.
Others TO BE ANNOUNCED in the course of the semester. You do NOT need to buy the textbook as handouts will be decided on later and provided at the time.
And/Or Other Texts as appropriate.
List may be modified at any time. Other texts to be assigned throughout the semester.
http://www.wakingdreams.org/nccu https://www.facebook.com/groups/5902322165 https://www.youtube.com/channel/UCIf4OIhDtbEEcZrXERpyC_A https://discord.com/invite/A56TuEqrs5