教學大綱 Syllabus

科目名稱:抵抗!理論和實踐

Course Name: Resistance in Theory and Practice

修別:群

Type of Credit: Partially Required

2.0

學分數

Credit(s)

50

預收人數

Number of Students

課程資料Course Details

課程簡介Course Description

“Resistance” has emerged as a trendy term within the political landscape. But what does it mean to resist existing structures of oppression? What are possible strategies and tactics? What types of solidarity are created through moments of resistance? How do legal texts reveal the limits and possibilities of resistance, and how should we interpret and re-imagine them? This course seeks to understand resistance through history, creative writing, anthropology, and law, with a broad range in both chronology and geography. It defines resistance in the broadest sense of the term, but it examines in particular cultural, political, social, and economic strategies to challenge existing legal structures. In this course, we look a wide range of movements, among them civil disobedience against racial injustice and colonalism, feminism, anti-carceral social movements, and animal liberation. Students are encouraged to find and develop their own interests in this course., and a particular emphasis is placed on how we tell stories. Readings include Gandhi, Martin Luther King, Frantz Fanon, June Jordan, Audre Lorde, Albert Camus, James Scott, Michel Foucault, Didier Fassin, and others. 

核心能力分析圖 Core Competence Analysis Chart

能力項目說明


    課程目標與學習成效Course Objectives & Learning Outcomes

    On successful completion of this course, students will be able to:

    Subject-specific Knowledge

    • Describe and analyze theories of resistance, including civil disobedience, nonviolent and violent forms, and modes of mobilization
    • Understand, and analyze social movements in light of theories of resistance
    • Understand, interpret, and evaluate legal judgments, opinions, and transcripts of hearings in light of theories of resistance

    Subject-specific Skills

    • Develop skills to connect social movements across time and place with thematic similarities and differences
    • Develop capacity to describe legal judgments through interdisciplinary lens and situate legal judgments within historical and sociological contexts
    • Develop confidence and capacity to re-interpret legal judgments via hybrid forms of speaking and written expression, among them public speaking, role-play, hybrid forms of poetry and storytelling  
    • Develop skills to analyze creative and hybrid forms of expression in light of texts on resistance
    • Develop capacity to articulate topics relating to course topics in daily conversation.

    Key Skills

    • Cultivating teamwork and collaboration.  Students will work frequently in groups and learn how to effectively distribute workload.
    • Creating confidence to share ideas with class and take risks. Students will have the opportunity to role-play hearings and present their findings in class.

    Developing ability of critical thinking: Integrating a diversity of materials and assessing one’s own critical ability.

    每周課程進度與作業要求 Course Schedule & Requirements

    教學週次Course Week 彈性補充教學週次Flexible Supplemental Instruction Week 彈性補充教學類別Flexible Supplemental Instruction Type

     

    Week

    Topic

    Content and Reading Assignment

    Teaching Activities and Homework

    1

    Introduction / Civil Disobedience

     

    Introduction to the course

     

     

    In-class: Martin Luther King, Letter from Birmingham Jail (1963)

     

    In-class: “Eyes on the Prize” on Civil Rights Movement

     

    2

    Ways to Tell Stories About Resistance  

    June Jordan, “A Visit to the Bahamas”

     

    Yu Peiyun, Zhou Jianxin Son of Formosa (excerpts)

     

    What themes emerge in these texts?

     

    In-class: we’ll brainstorm stories that you want to tell for your final project on resistance. Write down 1) a person you’d like to interview, 2) the medium (writing, film, graphic novel, audio) you’re most interested in using. 

     

    Post reflection on reading.

     

     

    3

    Ways to Tell Stories About Resistance  

    Elizabeth Barber, “Standing Trial: Should We Care about Animal Liberation?” Harpers (2024)

     

    “Our Youth, in Taiwan”, dir Yue Fu

     

     

    What themes emerge in these texts?

     

    Post reflection on reading.

     

     

    4

    Civil Disobedience  / Nonviolence

    Gandhi, excerpts from Non Violent Resistance (Satyagraha) (posth. 1961)

     

     

     

    In-class: we’ll continue thinking about the stories you want to tell for your final project on resistance.

     

     

    5

    Violence / Nonviolence

     

    Frantz Fanon, excerpts from The Wretched of the Earth (1961)

     

     

    In-class film: Battle of Algiers

    6

    Prison and Legal Systems

    Didier Fassin, Prison Worlds (first 10 pages)

     

    In-class

    7

    No class    

    Prepare interview for your final project.

    Turn in transcript of your interview for your final project.

     

    8

    Prison   

    Parole Hearing transcript

    Post reflection on reading.

    9

    Forms of Solidarity and Resistance  

     

    Michel Foucault (“Body of the Condemned”, “Spectacle of the Scaffold”), Discipline and Punish (1975)

     

    Parole Hearing

     

    10

    Legal Systems and Limits of Resistance

    Prepare for parole hearing today

    Parole Hearing

    11

    Micro-resistance  

    James Scott, Domination and the Arts of Resistance

     

    Post reflection on reading.

     

    Whole class activity on domination and the arts of resistance.  

    12

    Final Project preparation: Storytelling about Resistance

    Camus, The Rebel (excerpt)

    Audre Lorde, Sister Outsider.

     Bring rough draft and all materials for your final project to class.

    13

    Guest Speaker

    Tahir Hamut Izgil, Waiting to be Arrested at Night, tr. Joshua Freeman

     

    Tahir Hamut Izgil and Joshua Freeman

     

    Do reading; post questions for the speakers.

     

    14

    No class

    Finalize your final project and meet with your collaborative group.

     

    15

     

    Final project  

    Workshop Final Project In class

     

    Bring materials for your final project. I will give you time in class to work with your group.  

    16

    Final project

    Public Speaking: Confidence-Building and Skills

     

    Workshop Final Project In class

      

    In-class: public speaking exercises

    17

    Presentations

    Final presentations

    Presentation of your project 

    18

    Presentations

    Final presentations 

    Presentation of your project 

     

     

    授課方式Teaching Approach

    25%

    講述 Lecture

    25%

    討論 Discussion

    50%

    小組活動 Group activity

    0%

    數位學習 E-learning

    0%

    其他: Others:

    評量工具與策略、評分標準成效Evaluation Criteria

    Written reflections (20%)

    Final Project (25%)

    Role plays (15%)

    In-class Participation and Attendance (40%)

    No tests or exams.

    On the Use of AI 

    -Dear students, I am quite clear about the chatGPT and AI expectations in the course. I also know that for students AI can be a burden, not just a help, because you lose the freedom to think on your own. For this reason, I try to design assignments that evade the use of AI, so that you can feel free to pursue your creativity without burdens. 

    -I choose readings where there is very little information for AI to compile. For instance, I assign transcripts of parole hearings, which are obscure and particular, full of transcription errors. These document the rawness of an encounter between an individual and the state. These are rarely taught at universities because they are considered lower-level administrative hearings. Students have even told me that they looked up materials on these parole hearing transcripts on chatGPT and "found nothing," which made me smile. Then I ask students: Why do you think that is? And the answer is fascinating, too: there's a meta lesson here about the absence of a body of knowledge about incarcerated people applying for parole; these forms of knowledge are considered worthless in comparison to the prestigious judgments of appeals courts, constitutional courts, and Supreme Courts. 

    -I do allow ChatGPT in some instances and I will tell you when. In general you're allowed to first write an assignment in your native language and use AI to translate it to English. But you must 1) submit the original 2) submit your own corrections of the English (either using track changes or by hand, with a colored pen). Students are also allowed to use chatGPT to catch typos and correct grammatical errors in your work. 

    -I try to design creative assignments in which AI has not yet surpassed humans. For instance, in the past I have asked students to reconstruct a migrant's journey in prose-poem form inspired by a book called PAPERS. Because it's an obscure book, there's vvery little AI can say or do. I also give students an extensive pep talk about how AI still cannot write prose-poems that blur fiction and nonfiction, capture human ambivalence and contradiction, and describe with specificity and humor the absurdity of an encounter between a person and a state. So you should feel free in writing this assignment! 

    -I also frequently design projects that involve public speaking and reconstruction of a trial, so chatGPT will be useless.

    -I ask students to juxtapose readings that have not necessarily been analyzed together. For instance, I might assign the first two chapters of Foucault's Discipline and Punish alongside a a recent journalistic piece about a mother whose child has been taken away by social services, and ask them how Foucault would analyze the specific details in that case. This is very hard for chat GPT to pull off, because it hasn't compiled information from recent news articles. Though chatGPT might have more generic analyses of Foucauldian approaches to child services and surveillance of mothers, it cannot analyze the specific case. 

     

     

    指定/參考書目Textbook & References

    Readings will be distributed before class. 

    June Jordan, “A Visit to the Bahamas”

    Audre Lorde, Sister Outsider

    Martin Luther King, Letter from Birmingham Jail (1963)

    Gandhi, Nonviolent Resistance 

    Frantz Fanon, Wretched of the Earth 

    Didier Fassin, Prison Worlds

    MIchel Foucault, Discipline and Punish

    James Scott, Domination and the Arts of Resistance

    Elizabeth Barber, "Should We Care about Animal Liberation?", Harpers (2024)

    Legal transcripts of parole proceedings

    Yu Peiyun/Zhou Jianxin, Son of Formosa (excerpts)

    Camus, The Rebel (excerpt)

    Documentaries:

    "Our Youth, in Taiwan"

    "Battle of Algiers"

    "Eyes on the Prize"

     

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    課程相關連結Course Related Links

    
                

    課程附件Course Attachments

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