Type of Credit: Elective
Credit(s)
Number of Students
Concepts and Diversity in Southeast Asian Performing Art Cultures, Socio-cultural Settings as having effects in production and practice of performing arts. Fundamental skills in performing arts of Indonesia, Thailand, and Vietnam. (In the 112/2 semester, the class will apply intensive method and classes are on May 4,5,7,11,12,14 (All Sat, Sun, and Tues). All learning activities will finish by 21 May)
能力項目說明
To enhance knowledge in basic concepts, cultural diversity, and theoretical thinking and skill of traditional performing arts in Southeast Asian socio-cultural settings with foci on Indonesian, Thai, and Vietnamese Performing Arts Culture.
| 教學週次Course Week | 彈性補充教學週次Flexible Supplemental Instruction Week | 彈性補充教學類別Flexible Supplemental Instruction Type |
|---|---|---|
112學年東南亞表演藝術文化課表
第12週到第17週 東南亞大陸及東南亞島國表演藝術文化交流
|
週次 Week |
課程主題 Topic |
課程內容與指定閱讀 Content and Reading Assignment |
教學活動與作業 Teaching Activities and Homework |
學習投入時間 Student workload expectation |
|
|
課堂講授 In-class Hours |
課程前後 Outside-of-class Hours |
||||
|
1 |
Introduction February 20, 2024 |
Class Introduction, Introduction to Performing Arts and Culture, Diversity and Importance of Performing Arts in Human Culture |
Lecture and discussion |
2 |
2 |
|
2 |
Cultural History February 27, 2024 |
Characteristic of Music in Southeast Asia |
Lecture and discussion |
2 |
2 |
|
3 |
Cultural History March 5, 2024 |
Exhibition and Exhibiting of Southeast Asian Cultural Artifacts (Guest Lecturer Dr.Emily Yuan) |
Lecture and discussion |
2 |
2 |
|
4 |
Visit Cultural History March 9, 2024 (SAT) |
Field Trip to National Taiwan Museum 13:15 @ the entrance of NTM Guided tour: 13:30-15:30 |
Lecture and discussion |
2 |
2 |
|
4 |
Indonesia March 12, 2024 |
Dangdut: Popular Music of Indonesia Guest Professor: Prof.Lono from UGM |
Lecture and discussion |
2 |
2 |
|
5 |
Southeast Asia March 19, 2024 |
Cultural Exchange: Connection of Cultures through the Silk Roads,Ramayana in Southeast Asia |
Lecture and discussion |
2 |
2 |
|
6 |
Southeast Asia March 26, 2024 |
Ramayana in Southeast Asia, Hanuman and Its Cultural Compacts in SEA |
Lecture and discussion |
2 |
2 |
|
7 |
April 2, 2024 |
Shared Ancient Musical Civilization in SEA, Subcultures and Ideas in Performing Arts, Topeng Tua Dance, Subak in Bali |
Lecture and Discussion |
2 |
2 |
|
8 |
April 9, 2024 |
Music and Dance of Bali (Guest Lecture Wilson Lau) |
Lecture and discussion |
2 |
2 |
|
9 |
Midterm Week |
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|
10 |
Example of Contemporary Content in Performing Arts April 23, 2024 |
Thai BL in context: evolution of representations in the media and society (Guest Lecturer Gustavo Bella ) |
Lecture and discussion |
2 |
2 |
|
11 |
Vietnam April 30, 2024 |
Music of Vietnam (Guest Lecturer from TNUA Dr.Su) |
Lecture and discussion |
2 |
2 |
|
12 |
May 4, 2024 |
Dance Costume of Thailand |
Lecture, discussion, and Practice |
|
|
|
Intensive Master Class 密集大師課程 東南亞大陸及東南亞島國表演藝術文化交流 Performing Art Culture Exchange of Mainland Southeast Asia and Island Southeast Asia |
|||||
|
12 |
Thailand May 7, 2024(TUE) |
Mainland Southeast Asia: Court Dance of Thailand |
Skill Learning Master Chatchawan Nipattarak |
2 |
2 |
|
13 |
Performance Practice May 11, 2024(SAT) |
Mainland Southeast Asia: Folk Dance of Mainland Southeast Asia (Myanmar) |
Skill Learning Master Chatchawan Nipattarak |
2 |
2 |
|
14 |
Performance Practice May 12, 2024(SUN) |
Mainland Southeast Asia: Folk Dance of Mainland Southeast Asia (Laos) |
Skill Learning Master Chatchawan Nipattarak |
2 |
2 |
|
15 |
Performance Practice May 14, 2024(TUE) |
Mainland Southeast Asia: Folk Dance of Island Southeast Asia (Malay) |
Skill Learning Master Chatchawan Nipattarak |
2 |
2 |
|
16 |
Performance Practice May 18, 2024(SAT) |
Mainland Southeast Asia: Folk Dance of Island Southeast Asia (Java) |
Skill Learning Master Chatchawan Nipattarak |
2 |
2 |
|
17 |
Performance Practice May 19, 2024(SUN) |
Costume Design |
Lecture and Practice Master Chatchawan Nipattarak |
2 |
2 |
|
18 |
Tentative |
Final Presentation |
|
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Class Attendance 10%, Learning Activities 40% (Skill learnings and visits 8 times), Midterm 20% (Exhibition Proposal), Final 30% (Exhibition Project).
**Attendance to Visits, Music class, and Dance Classes is recommended
Miller, Terry E. & Williams, Sean. (2008). The Garland handbook of Southeast Asian music. New York : Routledge
Valyamedhi, 2020, ‘From South to Southeast and from Stage to Altar: Hindu Magic and Buddhist Amulets Practice of Hanuman in Thai Folk Theravada Buddhism'. presented to 2020 Annual Conference of the Taiwan Society for Anthropology and Ethnology: World Making, Nantou, September 26-27.
| 書名 Book Title | 作者 Author | 出版年 Publish Year | 出版者 Publisher | ISBN | 館藏來源* | 備註 Note |
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