Type of Credit: Elective
Credit(s)
Number of Students
此課程將討論媒介與文化技術的理論。媒介學（Medienwissenschaft）對於文化技術（Kulturtechnik）的關注，主要在反省西方的人文研究（humanities）所忽略的媒介與技術。在媒介學的觀點下，所有文化所建立起的「概念」，不可能只從觀念上去定義，而更是必須藉著技術與媒介的操演機制（operation）才能出現。此課程將閱讀許多媒介與文化技術的研究，從「媒介」與「技術」作為「中介者」的意義出發，探問記寫、圖像等媒介與技術，是怎麼透過不同的操演機制，建立起文化的知識。
能力項目說明
(1) 閱讀媒介與文化技術理論文獻的能力
(2) 分析並詮釋實際的媒介與文化技術及其背後的預設
(3) 獨立以媒介與文化技術的理論觀點，完成一篇小型研究論文
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課程內容與閱讀資料 |
學習時數 |
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課程介紹 |
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媒介與文化技術 補充閱讀：Winthrop-Young, “Background,” 8-28. |
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唐士哲，〈作為文化技術的媒介：基德勒的媒介理論初探〉，《傳播研究與實踐》第7卷，第2期（2017年 7月），頁5–32。 |
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Kittler, “Toward an Ontology of Media,” 21-31. Kittler, "Eros and Aphrodite," 249-258. |
6 |
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Kittler, "Homer and Writing," 259-266. Kittler, "The Alphabet of the Greeks" 267-274. |
6 |
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5 |
放假 |
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6 |
Siegert, “Media after Kittler,” 79-92. | |
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7 |
演講／參訪 TBA |
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操演機制 操演機制是探討文化技術的一個重要觀點，指的是一個藉著操演製造文化知識的機制，像是劇場的建造、實驗室的工作、藝術的收藏、以至於門的開關等機制。此部分將深入探討不同的操演機制，怎麼建立起人們對於事物不同的認識。 補充閱讀資料： Siegert, “Öffnen, Schließen, Zerstreuen, Verdichten,” 95-114. |
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Siegert, “Door Logic, or, the Materiality of the Symbolic,” 192-206. |
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Siegert, “Attached: The Object and the Collective,” 131-140. |
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記寫 所有人文學（Geisteswissenschaft）所建立的概念，幾乎不可能沒有記寫的技術。記寫，是建立起文化的重要技術。然而，在「記寫傳達意義」的意義下，記寫更是「媒介」，不只是記錄，更是一個覆寫、改寫的過程。 補充閱讀資料： Krämer, “‘Schriftbildlichkeit’ oder: Über eine (fast)vergessene Dimension der Schrift,” 157-176. |
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Krämer, “Why Notational Iconicity is a Form of Operational Iconicity,” 303-319. |
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Latour, “Drawing Things Together,” 1-44. |
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圖畫 圖畫的文化技術，指的是將事物呈現為圖畫的技術，例如透視法。此外，圖畫的文化技術也涵括了圖表，點、線、面的圖畫性，讓人們能對事物以及概念進行分析。 補充閱讀資料： Bredekamp, “Kulturtechniken zwischen Mutter und Stiefmutter Natur,” 117-142. Siegert, “White Spots and Hearts of Darkness: Drafting, Projecting, and Designing as Cultural Techniques,” 121-146. |
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Schäffner, “The Point: The Smallest Venue of Knowledge in the 17th Century,” 9-34. |
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Siegert, “(Not) in Place: The Grid, or, Cultural Techniques of Ruling Spaces,” 97-120. |
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Krämer, “Reflections on ‘Operative Iconicity’ and ‘Artificial Flatness,’” 251-272. |
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期末提案報告／討論 |
6 |
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期末提案報告／討論 |
6 |
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論文撰寫／個別咨詢 |
6 |
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論文繳交 |
6 |
課堂參與： 30%
課堂報告： 20%
書面報告： 20%
期末報告： 30%
博士班同學須就指定的讀物或主題做課堂報告，並視情況負擔較多導讀次數。期末論文也將以博士班的標準評量。
Bredekamp, Horst. “Kulturtechniken zwischen Mutter und Stiefmutter Natur.” In Bild Schrift Zahl, edited by Sybille Krämer and Horst Bredekamp, 117-142. Munich: Fink, 2003.
Kittler, Friedrich. “Toward an Ontology of Media.” Theory, Culture & Society 26, no. 2-3 (2009): 21-31.
Kittler, Friedrich. "Eros and Aphrodite." In The Truth of the Technological World, 249-258. Stanford: Stanford University, 2014.
Kittler, Friedrich. "Homer and Writing." In The Truth of the Technological World, 259-266. Stanford: Stanford University, 2014.
Kittler, Friedrich. "The Alphabet of the Greeks: On the Archeology of Writing." In The Truth of the Technological World, 267-274. Stanford: Stanford University, 2014.
Krämer, Sybille. “‘Schriftbildlichkeit’ oder: Über eine (fast) vergessene Dimension der Schrift.” In Bild Schrift Zahl, edited by Sybille Krämer and Horst Bredekamp, 157-176. Munich: Fink, 2003.
Krämer, Sybille. “Why Notational Iconicity is a Form of Operational Iconicity.” In Dimensions of Iconicity, edited by Angelika Zirker, Matthias Bauer, Olga Fischer and Christina Ljungberg, 303-319. Amsterdam: John Benjamins Publishing, 2017.
Krämer, Sybille. "Reflections on ‘operative iconicity’ and ‘artificial flatness.'" In Image, Thought, and the Making of Social Worlds, edited by David Wengrow, 251-272. Heidelberg: Propylaeum, 2021.
Latour, Bruno. “Drawing Things Together.” In Representation in Scientific Practice, edited by Michael E. Lynch and Steve Woolgar, 19-68. Cambridge, MA: MIT Press, 1990.
Schäffner, Wolfgang. “The Point: The Smallest Venue of Knowledge in the 17th Century.” In Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century, edited by Helmar Schramm et al., 9-34. Berlin: Walter de Gruyter, 2005.
Siegert, Bernhard. “Introduction.” In Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real, translated by Geoffrey Winthrop-Young, 1-18. New York: Fordham University Press, 2015.
Siegert, Bernhard. “(Not) in Place: The Grid, or, Cultural Techniques of Ruling Spaces.” In Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real, translated by Geoffrey Winthrop-Young, 97-120. New York: Fordham University Press, 2015.
Siegert, Bernhard. “White Spots and Hearts of Darkness: Drafting, Projecting, and Designing as Cultural Techniques.” In Cultural Techniques: Grids, Filters, Doors, and Other Articulations of the Real, translated by Geoffrey Winthrop-Young, 121-146. New York: Fordham University Press, 2015.
Siegert, Bernhard. “Media after Kittler.” In Media after Kittler, edited by Eleni Ikoniadou and Scott Wilson, 79-92. London: Rowman & Littlefield, 2015.
Siegert, Bernhard.“Öffnen, Schließen, Zerstreuen, Verdichten. Die operativen Ontologien der Kulturtechnik.” Zeitschrift für Medien- und Kulturforschung 8, no. 2(2017): 95-114.
Siegert, Bernhard. “Attached: The Object and the Collective.” In Cultural Techniques: Assembling Spaces, Texts & Collectives, edited by Jörg Dünne, Kathrin Fehringer, Kristina Kuhn, and Wolfgang Struck, 131-140. Berlin: Walter de Gruyter, 2020.
Winthrop-Young, Geoffrey. “Cultural Techniques: Preliminary Remarks.” Theory Culture & Society 20, no. 6 (2013): 1-19.
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